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This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project to make the world's books discoverable online.It has survived long enough for the copyright to expire and the book to enter the public domain.While some works are faithful objective pictures of men and manners, others are simply subjective exponents of character; and others, without being exactly either, are often nevertheless good indices to both the moral and intellectual tendencies of an age. He studied at Bome, under Pietro da Cortona, and followed the manner of that master. He resided for some time in Turin, and painted for the churches at Milan; in San Sebastiano, is a Murder of the Innocents by him. Laurence distribut- ing alms, in the chapel of Nicholas V., or ID Judas receiving the pieces of Silver, one of the series now in tlie Florentine Academy ; the latter containipg heads and draperies of even Baphaelesque grandeur.
would be otherwise overlooked or forgotten; and what is true of individual works is true also of collections. His execution is sometimes extremely elaborate, and often beautiful, especially in his small easel panels painted in distemper : he was also an excellent fresco-painter. Domicini, quoting an old writer, states, that Colantonio painted in oil as early as 1375, which is doubtless an eiror — although mere oil-painting was in use before the Van Eycks. But according to Lanzi his incorrect draw- ing, mode of execution, and the man- nerism of his figures, contributed not a little to hasten the decline of that school; as a fresco-painter he was a mere machinist Prospero's daughter Lavinia, called also Zappi, the name of her husband, inherited her father's skill in portrait-painting. He is supposed to have been the fellow pupil of Mantegna, with Squarcione at Padua, and to have studied also under Piero della Fran- cesca, as he was great in perspective.His extensive knowledge on subjects connected with art, aided by the possession of a large collection of the more recent works in art literature, has enabled him not only to correct errors, but to supply much new and valuable information.A Tabulaf view of the Schools of Italian Painting will be found attached to the work, containing the names of those painters who have most influenced or contributed to the progress or vicissitudes of art.Maintain attribution The Google "watermark" you see on each file is essential for informing people about this project and helping them find additional materials through Google Book Search. Keep it legal Whatever your use, remember that you are responsible for ensuring that what you are doing is legal.
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This is a matter in which, since then, we have made much progress, and by some the era of the new epoch of art criticism is identified with the appearance of Wachen- roder's Heart Effusions of an Art-loving Monk, ^which, though now Uttle more than a curiosity, was then a repertory of new and charm- ing reflections. A pupil of Moraz- zone; he painted ui many of the churches of Milan : Santa Maria della Grazie : the Carmine, ahle.